Wednesday, 6 April 2011

Exemplar 1b answer - Genre

The media production I am going to write about in relation to genre is my favourite piece from the whole course which is my horror teaser trailer.
The genre of the trailer is obviously ‘horror’ and this in itself allowed us to be creative with narrative etc but limited us because we had to stick to a certain amount of generic conventions in order for it to be recognised by it’s existing target audience. Steve Neal said that ‘genre is a repetition with an underlying pattern of variations’ which meant certain generic features had to be included and repeated which in my case was the use of a creepy location of the woods as well as hand held camera and restricted narration to cause disorientation and suspense within our trailer. However, the pattern of variation Neal describes also links to my horror teaser trailer because we were able to creatively push the boundaries by twisting some generic features in order to make the trailer interesting and therefore cause the audience to want to watch the full movie. For this my group chose use a female psycho killer I order to subvert the stereotypical male dominated role. This female identification through point of view shots etc captured our female audience because were providing them with power and this is unusual for the horror genre although it is known for its forward thinking approach as it often attempts to focus on subcultural views instead of targeting the mainstream. Genre encompasses many parts and the trailer links to it in more ways than one. Its use of enclosed location and the fact the woods attempts to reinforce our society’s fear of loneliness and isolation which the woods creates when the three friends get lost. In these sections of the trailer we used a lot of heavy cross cutting between the female victim who is running anxiously through the woods in order to find her friends and get home safely. We also used the Kuleshove and collision cutting methods as the pace began slow as the friends head our in the car unaware of the danger before them and once they are in the woods we deliberately quickened the pace of editing to cause tension and to show that something is not right, keeping the audience on the edge of their seats.
Editing and mise-en-scene is really important to genre and reflects very quickly certain moods and atmospheres. Levi Strauss and Roland Barthes argued that the horror genre like many others used ‘binary oppositions’ in order to show the contrast between good and evil in order to force the audience to be constantly questioning the trailer for example; in my trailer I used light and dark to connote their happiness and carefree attitude in the daytime and the darkness to emphasise their fear and reliance
on their senses. This is particularly important to the horror genre as characters are often shown in high angle shots to appear vulnerable and therefore under threat.
Gore or ‘body horror’ is also a common generic convention used by most horror films that we studied including Dawn of the Dead by George A. Romero who used it to make the audience feel sick by forcing them to see extreme violence. In my own trailer we were inspired to use gore differently by showing a hanging scene in slow motion to create tension and the centoring in on the face and neck which had been broken and this was shown by the rope burn we had made from latex and the blood pouring down her chest. This shot moves clockwise and slowly zooms in to force the audience to see what the hang (woman) has done. In our final two shots we finish the trailer with the male anti hero being lifted off the ground with blood pouring out of his mouth which causes the audience to assume no one survives because the final girl is stabbed by her friend accidentally which quickens the pace and adds tension but she is the survivor who as Carol Clover suggests will be terrorised throughout the film and finally overcome the monster. This plays with the audiences emotions and links back to the horror genre well by creating our own style of horror. Andrew Sarris argues because it encompasses so much and is key to explaining a film. Genre is the ideas that collectively make a particular recognisable style that draws in its existing target audience. My horror trailer had expressionist camera angles as the female victim desperately trips over the camera and we see her running above it as well as close ups of her facial expression that causes us to identify with her fear and therefore makes us scared. This meant the audience also were forced to objectify the female victim from the high angle camera shot down her top in which we can see her breasts slightly after watching other Hitchcock movies which use the male gaze theory by Laura Mulvey to force us to take a male’s viewpoint.
In my trailer we also used an iconic symbol of the noose because obviously as a hangwoman she needed the prop but also as a female the circular shape suggested female power and this is something the horror genre often does but for male characters using guns etc as phallic symbols which we also used as the male anti hero takes out a knife and stabs his friend frantically when she walks up behind him. The horror trailer was made much darker in Final Cut Pro using the brightness and contrast menu and also dragged the saturated colours towards the blue in order to create a dark, dusky night time atmosphere a generic convention of horror trailers.
The generic conventions we chose to use were all important to the success of our product and since distributing it on YouTube we have over 4000 which I am really pleased with and gives me the confidence that we obviously stuck to the genre enough to capture our intended target audience but were creative enough to make people want to keep watching the trailer and virally sharing it with others.
Genre places a media text into a grouping giving it an identity which can be recognised by the mainstream society and I believe my product is successfully fitted to the horror genre using the narrative that todorov argued was important to the horror genre by following an equilibrium at the beginning then a problem which in our case was the male anti hero playing a joke on the soon to be female victim making jump running after him causing their separation then a pathway to resolution – as they attempt to find each other and then a new equilibrium at the end which we deliberately left as an open ending to capture our audience effectively.
 
Red - Explanation, analysis, argument
Blue- Example 
Yellow - Terminology  

Question 1b - Macro Elements - Eilish Crowther

Exemplar Sentences

  • The media production I am going to write about in relation to genre is my favourite piece from the whole course which is my horror teaser trailer.

  • The genre of the trailer is obviously ‘horror’ and this in itself allowed us to be creative with narrative etc but limited us because we had to stick to a certain amount of generic conventions in order for it to be recognised by it’s existing target audience.

  • Levi Strauss and Roland Barthes argued that the horror genre like many others used ‘binary oppositions’ in order to show the contrast between good and evil in order to force the audience to be constantly questioning the trailer for example; in my trailer I used light and dark to connote their happiness and carefree attitude in the daytime and the darkness to emphasise their fear and reliance on their senses.

  • The horror trailer was made much darker in Final Cut Pro using the brightness and contrast menu and also dragged the saturated colours towards the blue in order to create a dark, dusky night time atmosphere a generic convention of horror trailers. 

  • Genre places a media text into a grouping giving it an identity which can be recognised by the mainstream society and I believe my product is successfully fitted to the horror genre using the narrative that todorov argued was important to the horror genre by following an equilibrium at the beginning then a problem which in our case was the male anti hero playing a joke on the soon to be female victim making jump running after him causing their separation then a pathway to resolution – as they attempt to find each other and then a new equilibrium at the end which we deliberately left as an open ending to capture our audience effectively.
  • David Gauntlett Presentation

    An Anthropological Introduction to YouTube

    • What does the development of the Internet, specifically YouTube, mean for identity?
    • YouTube released in April 2005
    • New forms of community
    • Web cam = more power to the people
    • Web 2.0 - allows ways of linking people in unparalleled ways
    • When media changes - human relationships change
    • The loss of community (through the workforce, more people working following the World War 2, women working, smaller retailers move to large conglomerates, the invention of TV meant that humans watched this rather than see/socialise with neighbours/friends etc) = YouTube can now fill this void
    • Communities are connected through roads and TVs and computers, mobile phones = communication through technology
    • Increasingly individual cultures/individuals but each long for community that inevitably is lacking in their individuality
    • YouTube creates community/friendship
    • Deep communication with other humans as you can share, re-watch etc = connection = voyeuristic capabilities, allowing you to watch and stare as much or as little as you want, in the privacy of your own room, without feeling awkward
    • Playing with identity - remove elaborate what is real... what is real? Should everything on YouTube be real....? Consider this debate
    • You can be anyone on YouTube.. the possibilities are endless...playing with identity...good debate possibilities here.
    • Free hugs phenomenon - strongly suggests this desire of being wanted and feeling a sense of belonging/part of a community
    • Criminality of lifting material - legality issues as most of what you find on YouTube has been 'lifted'

    Definitions of 'Ideology'

    • political orientation: an orientation that characterizes the thinking of a group or nation imaginary or visionary theorization.
    • An ideology is a set of aims and ideas that directs one's goals, expectations, and actions. An ideology can be thought of as a comprehensive vision, as a way of looking at things (compare worldview), as in common sense (see Ideology in everyday society below) and several philosophical tendencies ...
    • Doctrine, philosophy, body of beliefs or principles belonging to an individual or group; The study of the origin and nature of ideas.
    • ideologic - ideological: concerned with or suggestive of ideas; "ideological application of a theory"; "the drama's symbolism was very ideological".
    • ideologist - an advocate of some ideology.
    • ideologist - One who theorizes or idealizes; one who advocates the doctrines of ideology.
    • ideological - Of or pertaining to an ideology; Based on an ideology or misleading studies or statistics, especially based on the media or propaganda. Not based on scientific evidence or reality.
    • "Ideology" means to favor one point of view above all others and to adhere to this point of view. The ideologue sees the world from a single point of view, can thus "explain" it and attempt to "change" it.
    • How we as individuals understand the world in which we live. This understanding involves an interaction between our individual psychology and the social structures that surround us.
    • The knowledge or beliefs developed by human societies as part of their cultural adaptation.
    • Set of beliefs and goals of a social or political group that explain or justify the group's decisions and behavior.
    • Literally the study of ideas, the collective knowledge, understandings, opinions, values, preconceptions, experiences and/or memories that informs a culture and its individual people.

    The Representation of 60's/70's/80's Youth