Wednesday, 6 April 2011

Exemplar 1b answer - Genre

The media production I am going to write about in relation to genre is my favourite piece from the whole course which is my horror teaser trailer.
The genre of the trailer is obviously ‘horror’ and this in itself allowed us to be creative with narrative etc but limited us because we had to stick to a certain amount of generic conventions in order for it to be recognised by it’s existing target audience. Steve Neal said that ‘genre is a repetition with an underlying pattern of variations’ which meant certain generic features had to be included and repeated which in my case was the use of a creepy location of the woods as well as hand held camera and restricted narration to cause disorientation and suspense within our trailer. However, the pattern of variation Neal describes also links to my horror teaser trailer because we were able to creatively push the boundaries by twisting some generic features in order to make the trailer interesting and therefore cause the audience to want to watch the full movie. For this my group chose use a female psycho killer I order to subvert the stereotypical male dominated role. This female identification through point of view shots etc captured our female audience because were providing them with power and this is unusual for the horror genre although it is known for its forward thinking approach as it often attempts to focus on subcultural views instead of targeting the mainstream. Genre encompasses many parts and the trailer links to it in more ways than one. Its use of enclosed location and the fact the woods attempts to reinforce our society’s fear of loneliness and isolation which the woods creates when the three friends get lost. In these sections of the trailer we used a lot of heavy cross cutting between the female victim who is running anxiously through the woods in order to find her friends and get home safely. We also used the Kuleshove and collision cutting methods as the pace began slow as the friends head our in the car unaware of the danger before them and once they are in the woods we deliberately quickened the pace of editing to cause tension and to show that something is not right, keeping the audience on the edge of their seats.
Editing and mise-en-scene is really important to genre and reflects very quickly certain moods and atmospheres. Levi Strauss and Roland Barthes argued that the horror genre like many others used ‘binary oppositions’ in order to show the contrast between good and evil in order to force the audience to be constantly questioning the trailer for example; in my trailer I used light and dark to connote their happiness and carefree attitude in the daytime and the darkness to emphasise their fear and reliance
on their senses. This is particularly important to the horror genre as characters are often shown in high angle shots to appear vulnerable and therefore under threat.
Gore or ‘body horror’ is also a common generic convention used by most horror films that we studied including Dawn of the Dead by George A. Romero who used it to make the audience feel sick by forcing them to see extreme violence. In my own trailer we were inspired to use gore differently by showing a hanging scene in slow motion to create tension and the centoring in on the face and neck which had been broken and this was shown by the rope burn we had made from latex and the blood pouring down her chest. This shot moves clockwise and slowly zooms in to force the audience to see what the hang (woman) has done. In our final two shots we finish the trailer with the male anti hero being lifted off the ground with blood pouring out of his mouth which causes the audience to assume no one survives because the final girl is stabbed by her friend accidentally which quickens the pace and adds tension but she is the survivor who as Carol Clover suggests will be terrorised throughout the film and finally overcome the monster. This plays with the audiences emotions and links back to the horror genre well by creating our own style of horror. Andrew Sarris argues because it encompasses so much and is key to explaining a film. Genre is the ideas that collectively make a particular recognisable style that draws in its existing target audience. My horror trailer had expressionist camera angles as the female victim desperately trips over the camera and we see her running above it as well as close ups of her facial expression that causes us to identify with her fear and therefore makes us scared. This meant the audience also were forced to objectify the female victim from the high angle camera shot down her top in which we can see her breasts slightly after watching other Hitchcock movies which use the male gaze theory by Laura Mulvey to force us to take a male’s viewpoint.
In my trailer we also used an iconic symbol of the noose because obviously as a hangwoman she needed the prop but also as a female the circular shape suggested female power and this is something the horror genre often does but for male characters using guns etc as phallic symbols which we also used as the male anti hero takes out a knife and stabs his friend frantically when she walks up behind him. The horror trailer was made much darker in Final Cut Pro using the brightness and contrast menu and also dragged the saturated colours towards the blue in order to create a dark, dusky night time atmosphere a generic convention of horror trailers.
The generic conventions we chose to use were all important to the success of our product and since distributing it on YouTube we have over 4000 which I am really pleased with and gives me the confidence that we obviously stuck to the genre enough to capture our intended target audience but were creative enough to make people want to keep watching the trailer and virally sharing it with others.
Genre places a media text into a grouping giving it an identity which can be recognised by the mainstream society and I believe my product is successfully fitted to the horror genre using the narrative that todorov argued was important to the horror genre by following an equilibrium at the beginning then a problem which in our case was the male anti hero playing a joke on the soon to be female victim making jump running after him causing their separation then a pathway to resolution – as they attempt to find each other and then a new equilibrium at the end which we deliberately left as an open ending to capture our audience effectively.
 
Red - Explanation, analysis, argument
Blue- Example 
Yellow - Terminology  

Question 1b - Macro Elements - Eilish Crowther

Exemplar Sentences

  • The media production I am going to write about in relation to genre is my favourite piece from the whole course which is my horror teaser trailer.

  • The genre of the trailer is obviously ‘horror’ and this in itself allowed us to be creative with narrative etc but limited us because we had to stick to a certain amount of generic conventions in order for it to be recognised by it’s existing target audience.

  • Levi Strauss and Roland Barthes argued that the horror genre like many others used ‘binary oppositions’ in order to show the contrast between good and evil in order to force the audience to be constantly questioning the trailer for example; in my trailer I used light and dark to connote their happiness and carefree attitude in the daytime and the darkness to emphasise their fear and reliance on their senses.

  • The horror trailer was made much darker in Final Cut Pro using the brightness and contrast menu and also dragged the saturated colours towards the blue in order to create a dark, dusky night time atmosphere a generic convention of horror trailers. 

  • Genre places a media text into a grouping giving it an identity which can be recognised by the mainstream society and I believe my product is successfully fitted to the horror genre using the narrative that todorov argued was important to the horror genre by following an equilibrium at the beginning then a problem which in our case was the male anti hero playing a joke on the soon to be female victim making jump running after him causing their separation then a pathway to resolution – as they attempt to find each other and then a new equilibrium at the end which we deliberately left as an open ending to capture our audience effectively.
  • David Gauntlett Presentation

    An Anthropological Introduction to YouTube

    • What does the development of the Internet, specifically YouTube, mean for identity?
    • YouTube released in April 2005
    • New forms of community
    • Web cam = more power to the people
    • Web 2.0 - allows ways of linking people in unparalleled ways
    • When media changes - human relationships change
    • The loss of community (through the workforce, more people working following the World War 2, women working, smaller retailers move to large conglomerates, the invention of TV meant that humans watched this rather than see/socialise with neighbours/friends etc) = YouTube can now fill this void
    • Communities are connected through roads and TVs and computers, mobile phones = communication through technology
    • Increasingly individual cultures/individuals but each long for community that inevitably is lacking in their individuality
    • YouTube creates community/friendship
    • Deep communication with other humans as you can share, re-watch etc = connection = voyeuristic capabilities, allowing you to watch and stare as much or as little as you want, in the privacy of your own room, without feeling awkward
    • Playing with identity - remove elaborate what is real... what is real? Should everything on YouTube be real....? Consider this debate
    • You can be anyone on YouTube.. the possibilities are endless...playing with identity...good debate possibilities here.
    • Free hugs phenomenon - strongly suggests this desire of being wanted and feeling a sense of belonging/part of a community
    • Criminality of lifting material - legality issues as most of what you find on YouTube has been 'lifted'

    Definitions of 'Ideology'

    • political orientation: an orientation that characterizes the thinking of a group or nation imaginary or visionary theorization.
    • An ideology is a set of aims and ideas that directs one's goals, expectations, and actions. An ideology can be thought of as a comprehensive vision, as a way of looking at things (compare worldview), as in common sense (see Ideology in everyday society below) and several philosophical tendencies ...
    • Doctrine, philosophy, body of beliefs or principles belonging to an individual or group; The study of the origin and nature of ideas.
    • ideologic - ideological: concerned with or suggestive of ideas; "ideological application of a theory"; "the drama's symbolism was very ideological".
    • ideologist - an advocate of some ideology.
    • ideologist - One who theorizes or idealizes; one who advocates the doctrines of ideology.
    • ideological - Of or pertaining to an ideology; Based on an ideology or misleading studies or statistics, especially based on the media or propaganda. Not based on scientific evidence or reality.
    • "Ideology" means to favor one point of view above all others and to adhere to this point of view. The ideologue sees the world from a single point of view, can thus "explain" it and attempt to "change" it.
    • How we as individuals understand the world in which we live. This understanding involves an interaction between our individual psychology and the social structures that surround us.
    • The knowledge or beliefs developed by human societies as part of their cultural adaptation.
    • Set of beliefs and goals of a social or political group that explain or justify the group's decisions and behavior.
    • Literally the study of ideas, the collective knowledge, understandings, opinions, values, preconceptions, experiences and/or memories that informs a culture and its individual people.

    The Representation of 60's/70's/80's Youth

    Poster Analysis - This Is England & Quadrophenia


    Just by looking at both of these posters, you can tell they have very similar layouts out and character representations.
    This is England uses the colours red, white and blue in the title which links to it as they are the colours of the union jack. This gives the audience a strong sense of what the film is about just by seeing the colour of the title and the title itself. The layout of the poster has the characters at the bottom half of the poster which suggests that as important as the characters are throughout the film, there are other factors that are also important. This is shown through the metal fencing they are stood in front of that is separating them from the houses that we see in the background. The title is placed above their heads in very large printed letters. The font is also done so that it has the effect that it is printed onto the metal fence which suggests that it is permanent and also that they are possible the gates to England and the gang are the guards of it. The characters are stood in a long line, showing they are a united gang. Even though the characters do have similarities in clothes for example the boys are skin heads, they wear the same boots and jeans and shirts, and they are all stood in their own individual position which shows that even though they are part of a gang, they each have an individual identity. The colours they are wearing consist of blues, blacks, whites and red where this shows that even the colours of the title are leaking into what they wear. The tag line reads “Summer 1983. A time to stand out from the crowd.” This gives the audience a greater understanding of what to expect from the film, such as the idea that they are a group that are trying to form their own identity with new values and appearance that will be new to this time period.
    The Quadrophenia poster also includes the colours red white and blue which makes the audience aware that it is a British film. It has the target in the middle of the ‘Q’ which is the same symbol of the band ‘The Who’ which were also popular during this time which makes us understand what they are representing. The title is in colour which makes it stand out from the background image. The tagline “ A way of life” font is almost as if someone has written it on the poster which represents the rebellious side of the gang. The image is in Black and white which maybe trying to suggest that their gang is simple and straight forward. The audience may also think the film is black and white. The group are stood in front of a wooden fence which again suggests separation from something or they are like guards trying to keep the audience out. Again the characters are stood in a line to show they are a united force but each have their individual personality which is shown their clothes. Some dressed in long rain coats and others in full suits, which suggests that they are professionals. The clothes can also be a sign of their gang and also link to fashion during that time. There are only two girls in the poster which shows that it is a male dominated film, and as neither of them are stood at the end of the line, the men protect them from harm.

    This Is England

    This Is England is a 2006 British drama film written and directed by Shane Meadows. The story centres on young skinheads in England in 1983. The film illustrates that skinhead subculture, whose 1960s roots include elements of black culture especially ska, soul, and reggae music, became adopted by white nationalists, which led to divisions within the skinhead scene.

    The movie is taut, tense, relentless. It shows why Shaun feels he needs to belong to a gang, what he gets out of it and how it goes wrong. Without saying so, it also explains why skinheads are skinheads: Any threatened group has a tendency to require its members to adopt various costumes, hair or presentation styles that mark them as members, so they can't deny it or escape it, and the group can exercise authority even at a distance.

    What happens at the end is part of history: Skinheads became allied with the neo-Nazi National Front. They became violent toward nonwhites and immigrants. It wasn't so much that they hated them, perhaps, as that they needed an enemy to validate themselves, because they felt as worthless as they said their opponents were. Whenever you see one group demonizing another group, what they charge the others with is often what they fear about themselves. For Shaun, this is more than he was looking for. Better to be lonely than to be deprived of the right to be alone. [Roger Ebert]

    Skins (TV series) vs Trainspotting

    Trainspotting is a Danny Boyle film made in 1996 about a group of drug addicts living in Edinburgh in the 1980s. The film shows the gang going through life, trying to beat their addiction and moving on. Renton (McGregor) is the main character throughout who is represented at first as a young drugged up adult who is unable to change his ways and beat his addiction. We see him try countless times to quit, but always returns to heroin. His parents are first shown as relaxed parents not really taken an interest in what Renton does which is highlighted in the pub scene where they celebrate him not being sent to jail, this shows that they are glad he has got away with it, however do not show any punishment for him getting into trouble in the first place. However when he needs to quit the drugs his parents are the only ones who lock him in his room so that he successfully goes ‘cold turkey’ which shows that they love him and will do what they can to help him, showing that he is an independent young adult but his parents are always there when he needs them. This is also identified with Diane’s parents who allow their underage daughter to smoke, sleep with older men and go out clubbing. Skins is a popular teenage drama which started in 2007. The show follows the lives of a group of teenagers at college as they cope with school work, social pressures and self identity. Through all 5 series, the show as touched on many different issues and character such as drugs, sex, homosexuality and illnesses. They also introduce character by letting them have an episode each which allowed the audience to get closer to the characters. The differences between Trainspotting and skins are mainly the fashion and attitudes. Throughout Trainspotting, they mainly where plan t-shirts and skinny jeans which represent the fashion during that time and also the stereotype of drug addicts who don’t particularly care about how they look. This contrasts with Skins where the fashion does tell the audience a lot about the character they are for example Maxxie from the first series wears bright colours, low cut tops etc which shows that he is comfortable and confident and also likes to make himself look nice. The attitudes have changed because Skins does cover more ground because it is an ongoing show, whereas Trainspotting only focus on drugs and how they affect the male’s lives. The similarities are the issues of drugs, sex and friendship which are represented through situations the characters are put in. They both revolve around a group of friends who each how their own personality to contribute which is something that easy to relate to in any time period whether it is 1990s or 2011.